Back in 2013, when Facebook timelines still mattered, when Kannada films were beginning to find confidence again after a long, uneven stretch, and when Kannada audiences were still figuring out their “online” voice, a four-minute trailer of Rakshit Shetty‘s Ulidavaru Kandante appeared and quietly unsettled Kannada cinema. For many filmgoers, after Simple Agi Ond Love Story and Lucia, it became